Independent curator and videographer, the artist was the founder and director of the Studio at the "Maison des Arts et de la Culture in Créteil" from 2000 to 2015. He creates visuals and interactive scenography installations and is also curator for the international Exit Festival held at the Maison des Arts de Créteil and the VIA festival.
策展理念
Art is what makes life more interesting than art.
Robert Filliou
Text/Chun-Yi CHANG
As an old labourer full of wrinkles on his front, Doubting Thomas recklessly probes the index finger into the ribs of Jesus. Following the “daily” gesture represented by Michelangelo Caravaggio, we are bound to see Johannes Vermeer’s woman pouring milk under the sunlight, Gustave Courbet’s stone stackers, Jean-Francois Millet’s cleaners, and even Edouard Manet’s bunch of asparagus. We might even recall in early 15th century Jan van Eyck, who insists on portraying in the real world everyday life on the corner. Artistic practices have evolved under various trends, such as naturalism, realism, Dada, Neo-Dada, pop art, assemblage art, new realism, Fluxus, happening art, arte povera and so on. If the course of evolution has step by step turned from the sacred temple of perfectness into “the daily”, then where would contemporary art in “the daily” go ? Does “the daily” still belong to one of the creative resources stimulating artistic practices? If in “the daily” we are familiar with exists always some aporia which keeps us from gazing upon life itself, could a shuttle between art and daily life render us more insightful of life?
Baptised as Daily+, the 2nd Greater Taipei Biennial of Contemporary Art unites 35 artists from France, USA, Austria, Luxembourg, Japan and Taiwan. Engaged firstly in the biennial, the Taiwanese novelist Yi-Chin LO writes along the exhibition venues, in particular Northern Campus and Nine Single Rooms Art Space, and transforms the spaces full of winding alleys as interwoven reminiscences into Wall Climber, which mixes residual images of daily life with segmented work on what had happened here. The novel is the first invited work that lifts the curtain of the biennial. Taking the novel and exhibition spaces as reference of inspiration, the invited artists develop as a card game their projects in multiple direction, and the developing projects later become as well a reference to each other, through which the invisible relationship of linkage is thus gradually drawn out. Therefore, the novel based on the exhibition sites and the artworks referring to the novel--both create intertextually between artwork, text and site a sort of multi-level dialogue from which is generated a significance network of inter-reference, similar to a parchment-like invisible text, full of layers of overlapping and accumulated traces.
Derived from the daily life, the daily+ is neither translation nor representation of the daily; it is not a clean break from the daily routine either. Rather, it signifies that in the different slices of reality stands a subject of art creation who, by means of various art practices, deconstructs and reconstructs the daily in order to return to it anew. Out of the very returning can a subject reveal the originality of the daily. In other words, keeping a distance from the daily life, a subject is thus able to discover in the relationship of dependency some points of reference, of substantiality and of transcendence, and to further transform the daily into infinitive resources for creation. As a folding mark cut slightly on the inner of the daily, the daily+ diverges the dimension of the daily to the unknown, to a place seemingly close yet out of reach, and endows the daily with a future never expected. Thus, we hope to unfold a multi-dialogue between art and daily life, and at the meantime, through a series of forums and workshops, to reveal progressively the “daily of artist”, and finally to invite spectators to stroll in a wrinkled space of imagination and thought so as to observe each layer of daily life, diverted, metamorphosed, or transformed. The more the daily becomes the daily+, the more the daily+ becomes the daily.
Curator-Artist: CHANG Chun-Yi
CHANG Chun-Yi is a graduate from the Institute of Art and Science, Pantheon-Sorbonne University (Paris 1) and has a doctor’s degree in plastic arts. In addition, she is a graduate from the Rouen Art Institute with a master’s degree in plastic arts creation. Chang has been awarded scholarships from Germany (i.e., Gerda Henkel Stiftung) and France (i.e., la fondation prospective et innovation) and conducted postdoctoral research at the School of World Studies (le Collège d'études mondiales, FMSH ). She studied under the tutelage of François Jullien, a renowned French contemporary thinker, and specialized in performing contemporary art practice-related research. During her time in France, her works were exhibited at galleries, art museums, and art centers in France and New York. Moreover, she received subsidies from the Council for Cultural Affairs and the Ministry of Culture for international artist-in-residence programs; she subsequently entered the artist-in-residence programs offered by the International Studio & Curatorial Program (ISCP; located in New York) and the 18th Street Arts Center (located in Los Angeles). She currently works as a part-time assistant professor at the Department of Fine Arts, National Taiwan University of Arts (NTUA) and is the department head of the Collection and Research Department, NTUA Art Museum.
Personal website: www.chunyichang.com
最新消息
The exhibition Daily+ is extended until January 22, 2019
Open exceptionally on Monday, January 21.
Exhibition Practice of Daily+ Interview with the curator Chun-Yi CHANG (part 1)
About the exhibition venues of the GTB, besides the sort of white box space in Our Museum, there are two relatively special exhibition venues, Northern Campus and Nine Single Rooms Art Space, where the bungalow-style buildings used to be the household do
作品
藝術家
工作團隊
Dr. Chih-Cheng CHEN
Chief Curator
President of National Taiwan University of Arts; Chairman of National Collegiate Artcenter Association
Jing-Zhong LOU
Project Director/Exhibition Coordinator
Joint Appointment Director and Section Leader of Education and Promotion, Our Museum
Adjunct Assistant Professor of Fine Arts Department, NTUA
Chun-Yi CHANG
Curator/Art Director
Leader of Collection and Research Section, Our Museum
Adjunct Assistant Professor of Fine Arts Department, NTUA
Charles CARCOPINO
Curator/Artist
Yi-Chin LO
Curator/Artist
Architectural group
Curator/Artist
Jia-Ru LEE
Marketing, Media Public Relation
Project Manager of grand bookstore in chain, and in charge of department store marketing; now as independent marketing executive
Ya-Ting PO
Media Public Relation
Administrative Officer of Education and Promotion Section, Our Museum; Adjunct Lecturer of Digital Multimedia Arts Department, Shih-Hsin University
Yi-Chen YANG
Guided Tours
Administrative Specialist of Collection and Research Section, Our Museum
Yun-Ting CHANG
Organiser of Forums
Chiamin LIU
Interpretive Planner and Editor
Proposal planner of the book of aesthetics; now as freelance writer
Boyea LAI
Graphic Designer
Graphic designer of grand bookstore in chain; now as project graphic designer
Sense-Info
Consultant on Internet Technical Resource and Marketing
Network Information Service
Wei-Tsan LIU
photographer
Project photographer
Sz-Yu LU
Exhibition Executive